Hi janet,
First, if you haven't already done so, I'd recommend reading my earlier post (Post #37), as that is the best explanation that I can provide for exactly how the argument breaks down step by step. I know there that there are many posts on the forum thread for this question, so it's easy to miss that post.
It can be found here:
viewtopic.php?f=552&t=4065&start=30
You wrote:
Specifically, I still think the argument is valid as is, and we don't need to establish a link between the "best" and "most beautiful" because we're given a premise in the second sentence of the stimulus that already gives us the conditional that we can directly prove the conclusion with
Based on this comment, I think I see where you may be mistaken. If the conditional in the second sentence that you are referring to is "if there were no difference, then the most realistic pieces of art would be the best as well," this is not a premise but is actually an intermediate (or subsidiary) conclusion. This conditional statement is followed by the premise indicator "since," which is a clue that the first half of the sentence is a conclusion rather than a premise. Because it is a conclusion, it needs to be supported by premises, but there is currently a premise missing from the argument (i.e. an assumption) in order to reach that intermediate conclusion. That missing premise/assumption is Answer A.
As for the conditional statement in the first half of second sentence, while it is sometimes described as a counter-premise, it functions as an intermediate conclusion in the argument and needs to be proven to then in turn support the main conclusion. Intermediate conclusions are sometimes described in terms of the role of a premise because they both support the main conclusion (as a premise does) but also are supported themselves by other premises. If you look at the complete question explanation (Post #1), you'll see this statement listed as "Premise (2)/Subordinate Conclusion."
Personally, I recommend simply thinking of the conditional in the second sentence as an intermediate conclusion and the final statement in the argument as the fact that triggers the contrapositive.